These shots are typically done with head-and-shoulder framing with the guest looking directly into the camera as opposed to long-sided. This could be a solo exchange with just the guest and anchor or include the (now often infamous) panel format. The demand for remote guest shots increased as cable news added more channels and many of the shows on them started to rely heavily on often live interviews with experts, analysts and pundits to fill time. No matter what the setup, someone being interviewed remotely can hear the distant correspondent or anchor are fed in via an earpiece and with the ability to see that person on a monitor positioned off camera (though faux long-sided “interviews” are sometimes shot with the person answering questions from a list provided by the reporter or simply providing a generic statement that can be used in a report). This wasn’t unheard pre-pandemic, but started showing up more during COVID-19 as travel become more challenging but local crews could still be dispatched. Remotely shot long-sided framing has also been accomplished using fully lit camera setups on both ends, but with the actual conversation taking place via some type of audio-video hookup between the locations. This January 2021 interview with a guest included a fully lit camera setup in both locations with the subject shot long-sided, but also incorporated wide views of the setup to emphasize the interview was done remotely. The person typically is positioned in a way that they are facing toward the long side, which helps convey the idea that a conversation between two people is being captured. Long sided framing, which can be done both for sit-down interviews or in-the-field ones, involves placing the body and head of the subject to either the left or right side of the frame. They’d typically be seated in a space outfitted with studio-grade background, lighting and audio hookups in front of a studio camera.įor live appearances, most subjects are depicted looking directly into the camera, though it’s not uncommon for long-sided framing to be used when interviews are conducted remotely for recorded story packages. Pre-pandemic, the idea of a “remote” interview often required the interviewee to travel to a local station or broadcast facility with satellite or fiber connectivity. This typically meant venturing out with a camera and lighting gear and filming an interview on location or, in cases when that wasn’t physically possible due to geography, make arrangements for a remote interview. It’s always been popular for TV journalism to incorporate on-camera interviews from not only witnesses to newsworthy events but also experts in fields related to the story at hand. While this approach to remote guests doesn’t allow for the same quality that a professional-grade studio or video conferencing setup can achieve, it does open the door to more cost-efficient and faster access to more sources and viewpoints, which all in all can give TV news producers an edge when done correctly. Now, as the world emerges from the grasp of COVID-19 and the safety protocols started in 2020 largely relaxed, it appears this is one trend that may be sticking around. There was a time when remote guest appearances via what are widely regarded as consumer-level video calls on TV networks were almost a novelty: But that was all pre-pandemic.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |